Replicates

Services

Stills, film and finishing from one studio in Marseille.

Portrait, fisherman mending a net

Color grading

Show LUTs, shot matching, HDR and SDR masters. Stills can live in the same timeline. The brand palette is a decision, not a filter pack.

Grading is treated as design, not a filter. We match cameras, hold skin, and deliver HDR or SDR masters as the media plan requires.

Ask about color grading

Product, olive oil soap cubes, stamped

Creative direction

Treatments, boards, casting notes, and on-set direction. We protect the idea when the day gets short, which it will.

We sit with strategy early: references, casting, and a shot list that protects the idea when the day gets short.

Ask about creative direction

Location, limestone cove, turquoise water

Commercial photography

Campaign stills, product, and portraiture with controlled light. We tether, we plot, and we deliver files that survive print and crop. Retouch is finishing against a grade, not a rescue of underexposure.

We plan lighting, art direction, and capture so stills hold up in print, OOH, and digital. Tethered review on set keeps stakeholders aligned before wrap.

Ask about commercial photography

Fashion, striped shirt on a wooden boat

Video filming

Treatments through principal photography. Coverage is shot for the edit and the grade: protected highlights, matched cameras, and sound that is not an afterthought.

Crew, cameras, and locations are scaled to the story. We shoot for the grade: consistent exposure, protected highlights, and usable coverage.

Ask about video filming

Interior, hotel room over the sea

3D rendering

Product and environment CGI composited with plates. Look-dev starts with references shot on set. If the render announces itself, it is not done.

When a physical set cannot exist, we build it. Lighting and materials are matched to plate photography so CGI does not announce itself.

Ask about 3d rendering

Food, navette biscuits, orange blossom

Post-production

Picture, sound, titles, and versioning. A sixty-second master and a fifteen-second cutdown should look like siblings, not cousins who stopped speaking.

Editorial, finishing, and versioning live in one pipeline so a 60s master, 15s cutdowns, and stills from frame pulls stay coherent.

Ask about post-production

What a day costs

Prices are starting points before VAT, for one day within Marseille. Every job gets a written estimate with names on it before the date is held.

Stills day

From €1,630

One photographer, an assistant and our lighting, in the studio or on location.

  • Up to ten hours on set
  • Tethered review on a calibrated screen
  • 25 retouched finals
  • Web and print exports

Film day

From €2,980

Director, camera, sound and grip, with edit and grade in our room.

  • Up to ten hours on set
  • Cinema camera, primes and sound
  • Edit, grade and mix
  • One master and two cutdowns

Stills and film

From €3,950

One crew and one light plan for both, so the campaign holds together.

  • Shared plan and call sheet
  • Stills block named on the call sheet
  • Grade shared by stills and film
  • Versions for every placement

Most jobs are within a day’s drive of Marseille. Further afield we travel with the core crew and hire assistants locally, and travel is quoted at cost.

Not sure which one you need?

Send references and say whether the job needs a still, a film, or both. We staff the job, not a menu.